They’ve taken the guess work of extra knobs out of the equation and traded it for seamless simplicity.
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I’m no pro when it comes to sound design but with Saurus, everything is just… right there. When it comes to making your own presets, I prefer this one over 90% of my other soft-synths. The buttons make searching for sounds much easier whereas, if you know the sound you want, pulling it up is right there by clicking on the LCD screen above it. The browsing feature is very simple as well, giving you an option to choose by section by clicking on the screen, or by the Program and Bank buttons. I especially like how intricate you can go into the gating process without having to click through a bunch of menus. You can take a factory preset and make it all your own within seconds of simply using those two features. I’m a huge fan of rhythmic synth sounds to use as base layers and their gate and arpeggio section is extremely easy to use as well as versatile. I found myself having to stop the actual review process to create new material, which is the ultimate testament to any piece of gear. You can tell the presets were painstakingly created with the user in mind ie: you don’t get those everyday presets that most companies throw in there for filler. Analog Laboratory could use a lesson in that. It integrates into other programs nicely without a hitch. They have also implemented quite a few distinct types of filters to add to the already great analog sound you can get from this piece of software.Īll technical jargon aside, this synth runs great. This gives the synth, its old school street cred with the warm analog sound we have all decided we want again after the sterile synth debacle of the mid to late 90’s. It implements what Tone2 calls “True Analog Modeling Technology”, a system they themselves have created.
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Saurus is a VST / VSTi / AU virtual synth that works in both 32 and 64 bit environments. So when Tone2 sent me over a copy to get my hands on this new “best of both worlds synth,” I immediately jumped at the opportunity.
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Someone else who has been documented as having their full attention is Skrillex (He uses Gladiator). When your resume includes BMW, Disney, and a medical facility for “particle acceleration,” you’ve got my attention. Tone2 is a European company that is behind the scenes in more areas than most audio software manufacturers. So how does Tone2’s Saurus stand up to my pessimistic litmus test. So basically to sum up my rant, I am very picky with soft synths. I know it has nothing to do with sound, but the look and feel of a program can definitely make it more enjoyable to use. I see too many companies controls overlooked and your experience suffers for it. Don’t get me started on the user interfaces.
Also everyone claims that theirs replicates “vintage synth sounds” but all they seem to do is throw a low pass filter on the preset and call it good. It seems everyone makes one and most of them sound like those old midi ringtones cell phones used to have. I have a love / hate relationship with software synths.
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